DECONSTRUCTING CINEMA
In part 35 of Deconstructing Cinema, Jonahh explores the alien scene from M. Night Shyamalan’s 2002 sci-fi thriller, and finds a trinity of fate, fear and faith.
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Panos Cosmatos’ Beyond The Black Rainbow is a film that takes us to an institute where sadistic experiments are being preformed – but it chooses style over substance.
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Based on Anne Rice’s novel, Interview With The Vampire is the story of an immortal clinging to his innocence and the belief that evil is a choice and not human nature.
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Asked if there was a single word we should live our lives by, Master Kong replied: ‘Reciprocity perhaps? Do not inflict on others what you would not wish done to you.’
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A compelling eye-opener, Ross Ashcroft’s cinematic feature dissects the clockwork of the global economy and discusses the disastrous implications for humankind.
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Written and directed by Billy Wilder, Sunset Boulevard is a film that shows while Hollywood can make stars; it can just as easily destroy them – as Norma Desmond finds out.
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We take a look at F. W. Murnau’s classic and find that unlike Doktor Caligari, directed by Robert Wiene, Nosferatu’s Expressionist qualities are not as obvious.
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Step beyond the world you know and enter the labyrinth with Jim Henson’s fantasy adventure where nothing’s as it seems and a young girl tries to defeat the Goblin King, Jareth.
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Jablonsky’s score is highly repetitive with little musical development; its themes are reinforced with military style instrumentation, rhythms and bursts of electronic sound.
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Hayao Miyazaki’s film Nausicaä of the Valley of the Wind is one of Arpad’s favourite animated features with themes of war, environment, friendship and sacrifice.
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With its story, characters and timeless songs, Yeh Vaada Raha, starring Rishi Kapoor, Poonam Dhillon and Tina Munim, is one of the evergreen classics you never forget.
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George Clooney stars as Matt King, a successful lawyer in Hawaii who’s suddenly facing the prospect of his wife dying and caring for his two daughters on his own.
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