Paramount Pictures
Original release: December 25th, 1999
Running time: 139 minutes
Writer and director: Anthony Minghella
Cast: Matt Damon, Gwyneth Paltrow, Jude Law, Cate Blanchett, Philip Seymour Hoffman, Jack Davenport
Peter and Tom: 02:00:00 to 02:08:30
Deconstructing Cinema: One Scene At A Time, the complete series so far
Actors are very strange birds and even odder still when they covet a role in a play or film. Deep in the heart they know the moment that they could have made the part more alive, real, tragic.
Seldom too they stand back and say that was absolutely perfect.
This brings us the film I will be talking about this evening, The Talented Mr. Ripley and the Tom Ripley of Matt Damon.
The film in a word is perfect. Locations, divine, costumes, you would love to wear, lighting, music, passion, greed, lust, betrayal, murder and finally redemption.
It is the redemption of Tom of which I would like to think about and so we’ll go to the last scene in the film where Peter and Tom are sailing away into their happy ending. After murdering Freddy and Dickie Greenleaf, we still root for Tom.
PETER: I don’t know, what do you want to change about this moment?
TOM: Nothing.
PETER: I’m freezing, you coming down?
TOM: Later, I wanna catch the sunset
PETER: You’re mad.
TOM: I am.
As Marge faces utter collapse in her knowledge that Tom is in fact the murderer of Dickie and not only will he not be caught, he will be rewarded by Mr. Greenleaf and given Dickie’s inheritance
But alas it is not to be for Tom Ripley is cursed. As he and Peter sail away to safety, tucked warmly in their suite aboard a cruiser, Tom spots Meridith and Meredith spots the impostor Dickie Greenleaf… Immediately she brings him to her family and the game must begin again. The game is survival.
Tom returns to the suite, where he is gently confronted by Peter about knowing Meridith. Tom denies the friendship, wrapping Peter in his arms when he will in just a few seconds strangle him to death, forge a suicide note and hang Peter Smith Kingsley in the closet…to be found by a steward; a victim of his own self hate and loathing.
PETER: What are you talking about – you’re not a nobody! That’s the last thing you are.
TOM: Peter, I… I…
PETER: (conciliatory) And don’t forget. I have the key.
TOM: You have the key. Tell me some good things about Tom Ripley. Don’t get up. Just tell me some nice things.
He sits on the bed, leans against Peter. His eyes are brimming with tears. He takes the cord from Peter’s robe and begins twisting it in his hands.
TOM: (during this, and tender) You’re such a liar…
PETER: …Tom is a mystery…
Tom is pressing against him, moving up his body, kisses his shoulder, the cord wrapped tight in his hands…
Tom returns to his cabin. Sits on the bed, desolate.
Tom will resume, for a while at least, his life as Dickie Greenleaf. It is in this last moment that the actor truly elevates the role and in my mind becomes a masterwork. As he sits staring at the fractured mirror and the splintered pieces of his personality, Tom begins to grieve, we see his loss, his love for Peter, his chance at happiness gone…he has feelings.
Many actors and directors would chosen to have Tom be completely blank at this moment, thus giving us the opportunity to label him a borderline personality, a serial killer.
- Patricia Highsmith, The Talented Mr. Ripley (1992), Vintage Books
Tom killed out of survival and we still want him to win, to be free…to see that he is in fact equal to or really a cut above that which he aspires too. It is in this moment that Matt Damon makes Tom Ripley unforgettable.
Despite its rocky start, V came with some interesting ideas in the way lines between civilians and combatants are blurred in the midst of war, especially with aliens.
Juan Jose Campanella directs this powerful genre traversing morality tale which won the Oscar for Best Foreign Language Film at the 2009 Academy Awards.
This time, it’s war! We continue our in depth look at the Alien Anthology Blu-ray set with 1986′s Aliens, James Cameron’s spectacular genre-crossing, eipc.
Narrated by Matt Damon, the Oscar-nominated documentary Inside Job tells a compelling story of the financial crisis and looks into the faces of those in charge.
This Christmas, the immortal Cher hires vocal athlete Christina Aguilera to join her gang in the foot-stomping musical extravaganza, Burlesque.