Original release: November 6th, buy cialis 1980
Running time: 91 minutes
Director: Ruggero Deodato
Writers: Gianfranco Clerici, advice Vincenzo Mannino
Cast: David Hess, Annie Belle, Giovanni Lombardo Radice, Lorraine de Selle, Christian Borromeno, Marie Claude Joseph
Italian director and writer Ruggero Deodato’s films are, to say the least, challenging. In 1979 he made one of the most controversial movies ever, Cannibal Holocaust, but he didn’t stop there. After that gore fest, Deodato then went on to make The House On the Edge of the Park, a film that took the violence out of the jungle and brought it into a New York City home.
Its main characters are serial rapist and killer Alex (David Hess) and his best friend Ricky (Giovanni Lombardo Radice). They work in a garage and just before closing up a young bourgeois couple, Tom (Cristian Borromeo) and Lisa (Annie Belle), pull in and ask for help with their car. The pair then tag along with the couple who are on their way to a friends house for a party, but before leaving, Alex grabs a straight-edged razor from his locker to take with him.
Situated at the edge of a park, the large house is owned by Gloria (Lorraine de Selle) and she’s inside with her friends Glenda (Marie Claude Joseph) and Howard (Gabriele Di Giulio), but once the party gets started it’s clear that it’s not going to end well. The group begin to humiliate Ricky; first by encouraging him to do a striptease and then by watching him lose at a game of poker in which they’re all cheating.
Alex becomes annoyed at seeing them take advantage of Ricky and violence soon ensues. Once he gets the razor out, the partygoers are subjected to rape, torture and thrashings but Ricky is more sympathetic and eventually wants to end the night. The pair have an awkward dynamic and it’s not a stretch to say there is obvious sexual tension between them, but Deodato moves beyond this to tell something more here with The House On the Edge of the Park. It’s less about repressed homosexual tendencies and more about the social divides that exist between the working class and upper class. It should’ve been a strong commentary in the same way that Cannibal Holocaust was a commentary on capitalism and corporate greed, but it drops the ball (or the knife!) halfway through.
For a rape and revenge thriller that comes complete with scenes of excruciating torture it doesn’t quite match the calibre of other films with a similar theme like The Last House On The Left (1972) and I Spit On Your Grave (1978).
As the characters’ motivations are revealed there’s something that doesn’t really add up. It’s hard to understand how they could’ve all knowingly subjected themselves to these ordeals but it’s difficult to explain without giving the twist ending away for those who haven’t seen it yet. With group dynamics coming into play it’s almost as if the script has too much to cope with and the film. Despite a lot of potential, it plunges embarrassingly into a ridiculous climax.
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