Tom Grieve takes a look at the work of Michael Mann and discusses how the director’s been embracing digital technology in the 21st century to produce a wholly new and breathtaking aesthetic. More…
We return with The Director’s Chair this month to focus on one of the greatest filmmakers with a piece by Robert Bright, titled “Stanley Kubrick and the Rise of the Machines”. More…
Paul Bullock looks back on the work of Steven Spielberg to find out why he’s making sure cinema is not just the greatest show on earth – but the most important one too. More…
This month’s Director’s Chair sees Andrew Latimer looking at “vigilantism” in the ‘Master of Darkness’ Fritz Lang’s stunning Expressionist classic, Metropolis. More…
In the final part of his look at the films of Sergio Leone, John tells us about the Man with No Name, who features in the first three of the director’s Westerns. More…
In the second part of John Bleasdale’s look at the work of Sergio Leone in The Director’s Chair, the focus turns to misogyny and the representation of women in his films. More…
In Part 10 of The Director’s Chair, John brings us the first in his own three-part series looking at the work of Sergio Leone with For A Few Dollars More and Fistful Of Dollars. More…
In part 9 of The Director’s Chair we bring you a closer look at the work of Darren Aronofsky, from Pi and Requiem For A Dream, to The Fountain and Black Swan. More…
In part 8 of The Director’s Chair, Pete Turner brings us a closer look at the work of documentary filmmaker Michael Moore and asks us if he’s really an agent of change. More…
In part 7 of The Director’s Chair, television director, Norman Buckley, shares his thoughts on two of Alfred Hitchcock’s films, North By Northwest and The Birds. More…
Kevin McGreal brings us a close look at Auteur Theory and the work of writer and director John Waters, whose films include Hairspray, Pink Flamingos and Serial Mom. More…
In Part 5 of The Director’s Chair, Jack brings us a look at three films by Oliver Stone; highlighting their differences and how they’re unified by his unique vision. More…
Frances bring us Part 4 of The Director’s Chair. Hayao Miyazaki’s films are undoubtedly his own, with recurring themes in both artistic style and content. More…
In part 2 of Arpad’s exploration of Brian De Palma’s work, he sees the director moving into uncharted territories of time travel and a miracle of divine proportions. More…
Arpad puts Brian De Palma’s most personal piece, his 2002 film Femme Fatale, into focus with its themes of time travel, love, art and the image of the self. More…
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